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Content here represents the voice of SIGNATURE SUNSETS, an informational initiative designed to broaden and brighten horizons in the funerary domain.

The material is an outgrowth of a pre-planning reference book, Pondering Leaves: Composing and Conveying Your Life Story's Epilogue, written by the author of this blog.

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Showing posts with label GRIEVING. Show all posts
Showing posts with label GRIEVING. Show all posts

Thursday, July 16, 2015

GRIEVING of YOUTH

MENDING BROKEN TIES OF YOUNG LIVES

Childhood and adolescent phases ordinarily present challenges specific to one’s age.  A death in the family can potentially wreck the momentum of maturational growth.  Without intervention, the added stress of coping with the demise of a parent, sibling, or other pivotal figure in a young person’s life can threaten stability and interfere with the progression from one developmental stage to the next.  

A long time ago, when illness, death, and funeral proceedings all took place in home environments, children were on hand and part of what was going on, enabling them to interpret the end of life as a natural passage.  At some point, though, as funeral homes became the central sites for final affairs, young people were shielded from direct contact with the realities of life endings.  The general attitude was that they should be protected from the pain of loss. Their awareness of death was thwarted and their reactions perhaps intentionally minimized.  Circumvention of attention to emotional manifestations was considered justifiable based on assurance that, as resilient children, the kids would be able to bounce back from any trauma they suffered due to it.  

Modern psychology has reversed that stance.  Instead, a focus on childhood and adolescent grieving stems from a belief that they should have direct contact with matters of death and learn effective ways to cope with the loss it incurs.  This contemporary viewpoint has led to a substantial array of resources to guide young people in navigating through the emotions of separation they now can face head-on, under the supervision of trained professionals cognizant of varying needs characteristic of particular age groups.   

The National Alliance for Grieving Children serves as a nationwide resource for providers and anyone seeking awareness of suggested support measures.  Professionals can use it as a forum for sharing ideas and information to effect implementation in their respective communities.  Online education is a core aspect, in addition to the network’s hosting of an annual symposium, maintenance of a national database of children's bereavement support programs, and promotion of endeavors to enhance public sensitivity to the issues impacting grieving children and teens.   

As a sign of the times, often funeral homes cater to the death-related imperatives of children belonging to the families they serve.  Many have playrooms.  

Photo Site:  Anderson-McQueen Funeral Home, St. Petersburg, FL

Designated staff members may be trained to fulfill roles geared toward helping youngsters understand death while enabling them to be active participants during proceedings, in age-appropriate ways.  Sometimes funeral directors offer tours of their facilities for groups of children; the objective is to demystify death through exposure to the setting while enabling absorption of factual information in the absence of emotional entanglement.  

Throughout the nation there are initiatives tailored to meet the needs of bereaved young people and to help keep them on an even keel developmentally.  Effective approaches are promulgated through books, articles, presentations, and other means of communicating insights chronicled by way of empirical data and scientific studies.  Often schools are involved as liaisons, where staff glean competence via presentations and other tools.  A focus on remedial measures to help grief-stricken young people has become a specialty.  Training programs for personnel, participating adult volunteers, and peer support groups provide an educational backbone for these helpers’ engagement.

Children and teens confronted by personal losses come together in a variety of explicit settings where they have the benefit of integrating with others in similar situations.  In contrast to peer interaction within school environments, here in safe havens they are free to talk openly about death without feeling self-conscious or distancing themselves from classmates aversive to the topic.  The potential for a sense of isolation is offset through the camaraderie of social synergy with one another amid interactive activities. 
  
Photo Site:  The Children's Room, Arlington Massachusetts

An impressive array of programs and facilities includes weekend or full-time grief camps in addition to the dedicated physical centers.  Sometimes animal assisted therapy is employed, forging therapeutic partnerships with pets or other animals to enable more spontaneous communication.  As an alternative to traditional counseling sessions, equine therapy affords hands-on contact with horses through various programs around the country.  
Possibly more so than ever, the unique needs of bereaved youth are being recognized and addressed these days.  Under the guidance of compassionate comrades, those who have encountered a life-changing loss are being handled with care.  Through insightful interventions, they journey from the darkness of death toward restitution and fundamental reabsorption in accustomed lifestyles, yet ones that will never be quite the same. 

Photo Site:  The Children's Room, Arlington Massachusetts

Time will tell if such restorative regimens for today’s young folks will impact their attitudes toward death as adults.  Maybe in this “death-phobic” society they will be better equipped to confront matters of mortality more comfortably than the current population of adults – including those who may have experienced deaths of significant others during their childhoods.  If that turns out to be the case, then even in the absence of loss, perhaps death education initiatives for all children and adolescents could help generate attitudes of acceptance.  


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Monday, June 15, 2015

NATURAL BURIAL CASKETS and MORE

Journey Journal... Arlington, MA

A TISKET, A CASKET... A GREEN and YELLOW BASKET

All caskets available through the Mourning Dove Studio are “green” because of their biodegradability and suitability for natural burials.  But the actual colors and styles can reflect a broad spectrum of possibilities.  A pivotal feature of this enterprise is its adaptability and responsiveness to personal visions.  The sky’s the limit for individually created versions destined for underground repose, as long as construction materials and decorative applications mesh with principled stipulations for ecologically-friendly burials. 

The Mourning Dove venture, though, encompasses far more than the sale of burial containment.  Its two co-founder visionaries conceptualized an inclusive palate of offerings.  Through their direct support, customers have been able to immerse themselves in details of design as well as dialogues about death.  Backgrounds in human service instinctively marry these originators with a sensitivity to emotional needs generated by ramifications of current and future loss.  

Although sales of burial receptacles represent the most tangible backbone of their activities, nothing within the realm of related services is boxed in by prescribed structure.  The dynamic nature of shared details and interactive exchanges engages customers under novel circumstances, promoting personal  touches and camaraderie typically foreign to conventional retail settings.    

Ruth Faas and Sue Cross are the prime movers who have nurtured this initiative toward its realization.  Both had been peripheral observers of matters within the death arena prior to plunging into it themselves.  

Observations of her uncle’s funeral home operations may have set the stage for Ruth, but a reaction to her mother’s casket innervated thoughts of alternatives.  Clinical ministrations as an occupational therapist led to graduate studies in sociology and a role as a teaching assistant for a Death and Dying class.  Currently, she is a member of the Funeral Consumers Alliance of Eastern Massachusetts.    

Besides a background in mental health, an appreciation of cultural diversity and a passion for art have contributed to Sue’s involvement in death-related services.  While serving as a bereavement counselor for adolescents, she is also developing a film series about death, dying, and grieving for a local church.  

These inspired women have fulfilled roles as enablers by guiding folks beyond the darkness of finality and into the light of expressive possibilities for handling it.  Until recently, customers had been able to visit a multi-functional, spacious studio where caskets were on display, but also, other activities were underway.  

Individual art projects and workshops were conducted in the larger of two rooms.  Bereavement groups could be accommodated.  For a nominal fee, basic cardboard caskets or pine boxes could be decorated according to individualized inspirations and aspirations.  Guidance was available from the co-founder who has a penchant for art, buoyed by four years of classes and membership in a cooperative art studio, and imbued with a special interest in the art and rituals her Hungarian ancestors had practiced in response to deaths. 

Photos Source:  Mourning Dove Studio Website
A smaller resource room served as a hub for access to relevant literature about matters of mortality, including alternative modes of death management.  There,  folks could sit and read to glean insights on their journeys toward end-of-life wisdom.  Some tapped material addressing grief to bolster steps toward recovery.  

Perhaps a germane slogan for this venture that pertains to death would be, “Never Say Die.”  Operations could readily have come to a demised termination were it not for motivational resilience.  As with life itself, an insurmountable obstacle was encountered that rendered a numbing blow. 

The storefront space on Massachusetts Avenue that had been headquarters for this establishment since its origination in December of 2009 had to be unexpectedly abandoned in 2014.  A quintessential “we regret to inform you” notice was the dagger that could have inflicted mortal wounds.  The announcement of a monthly rent increase of $1000. was potentially paralyzing.  

But the imposed absence of expanse did not mark the end of this life-enriching cause.  Now, sales are conducted and information is dispensed from the owner’s home.  Caskets are on display in the basement, along with some biodegradable urns and reference materials.    


Rather than unceremoniously placing an order, sometimes folks who are experiencing the turmoil of loss or terminal circumstances may want to immerse themselves in the process of development through hands-on involvement.  As an evocative tool for expression of feelings, such activities can be an antidote to their festering imprisonment. 

Given enough preemptive time, clients may even choose to construct a casket themselves, with direct assistance.  Or plain, unadorned boxes that are already made can awaken ideas, prompting applications of paint or anything the heart desires.  


Photo Source:  Mourning Dove Studio Website

Encyclopedia pages meaningfully lined the interior of a rudimentary receptacle that would be apropos for a teacher or avid learner.  The decoupage technique is often employed.  


Inserts may be covered by family photos, images that signify a decedent’s characteristics, or ornamentation of a different nature.  


Even mere post-it notes might be affixed to recognize a decedent’s persona or as a means for conveying messages as part of a send-off.  
     
  
As an alternative to a do-it-yourself casket-making project or securing one that’s locally constructed, models from other retail sources can be ordered.  Basket-type receptacles made from natural fibers have become popular commodities for green burials in Europe and, increasingly, in the United States as well. 


The stylistic Ecopod was introduced to the world as a distinctive, molded configuration that simulates a seed pod.  It is hand made using recycled newspapers and finished with paper from mulberry pulp.  Colors and imprinted designs are variable.    


Caskets with designs prepared through the application of biodegradable paints are available.  One of a cadre of local artists can be commissioned to do the work. 

Photo Source:  Mourning Dove Studio Website

If a shroud is preferred, it can be acquired from one of a few nationwide sources. 

For discussions with the Mourning Dove owner, interested individuals are invited to sit around a table in her spacious country kitchen that evokes images of neighborhood coffee klatches.  The homey environment begets a sense of homespun attention.   

Like a sumptuous meal, the scoop about options for products and services is doled out generously.  Contacts may be facilitated by referring people to a host of providers.  Among them are funeral homes and cemeteries that support ecological practices, celebrants who conduct commemorative services, grief therapists, deathbed choirs, and artists who create memorial items.  

The website for this venture also serves as a channel for input.  Besides having access to pertinent blog articles, readers are apprised of opportunities to attend a series of writing workshops or yoga classes to address the impact of loss.  Home gatherings for exploration and discussions can be arranged.  One page on the website is a repository for a listing of resources and the sharing of commemorative ideas submitted by individuals.  

Part of the mission to spread the word about natural burials is implemented through community presentations and exhibits at events, such as the 2014 Graves In the Garden green burial fair at Mount Auburn Cemetery.  In a vendor milieu, a few of the caskets were on display there.



A commitment to promote the concept of environmentally sustainable end-of-life practices is at the core of this undertaking.  It is readily apparent that individualized support and a goal of enlightenment serve as the underlying foundation for devoted engagement.  These authentic helpers want to help people.  Casket sales seem secondary to that objective.   

As noted on their website, they “want to help dying people and their loved ones openly discuss these topics, utilize art and creativity as tools for leaving a legacy of love, create meaningful, personalized end-of-life ceremonies, have more access to eco-friendly options, honor and grieve our connections and losses.”

Their recognition of a need for earthly preservation has motivated involvement in this ecologically conscientious endeavor.  Everything they do and everything they provide is down to earth, whether it be a burial receptacle or a suggestion.  Under their auspices, customized creativity reigns.  Their efforts epitomize a manner of personalization that is meaningful and devoid of commercialism.  They are mavericks in these ever-growing funerary fields of green.  



"Going green"

"Mourning goes green in Arlington"

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Wednesday, April 29, 2015

MEMORY BEAR WORKSHOPS

Journey Journal... Punta Gorda, Florida

BEARABLE LOSS:
STITCHING TOGETHER THE FABRIC OF LIFE

After someone dies, purging a closet of that person’s wardrobe is often a painfully gut-wrenching task… an albatross of grieving.  Clothing is linked to identity, conferring tantalizing evidence of embodied presence – no longer in the flesh, but at least in the mind.  People tend to retain such articles of apparel for lengthy periods of time, yearning to hang on rather than letting go.

Some funeral homes have acknowledged this tendency imbued with an implication of need by offering an opportunity to retain selected snippets of the decedent’s clothes, but in a different form.  The Charlotte Memorial Funeral Home is among those conducting memory bear workshops.  

Twice a year, individuals who have experienced recent losses are invited to attend a Saturday gathering, bringing remnants of their loved ones’ clothing to be transformed into stuffed teddy bears. They are joined by a cadre of volunteers who provide guidance and manage the cutting, sewing, and stuffing operations.  Prior to completion, a small heart with a brief notation is embedded inside the bear. 

Source:  Florida Weekly 

Bereaved participants’ hands-on involvement renders the final product all the more meaningful. The event transpires over the course of several hours, interrupted only by provision of morning snacks and a light lunch.  

By mid afternoon, people who arrived with swatches of fabric leave with their cuddly cloth buddies, enabling them to embrace their memories.  These portable items of poignant significance, though new to them in form, bespeak companionable familiarity.  



At the Waid Funeral Home in Merrill, Wisconsin, workshop participants often have chosen to apply details specifically tailored to the person who died.  Before they arrive with their materials, including bags of fiberfill and buttons for eyes and noses, probably some folks have already constructed images of the final products in their minds.  They may bring any decorative additions that will personalize their creations, such as eyeglasses, name tags coordinating with uniforms, a piece of jewelry, as well as other forms of ornamentation or identity accoutrements.   

Source:  Facebook - Anna Winningham

Volunteers are on hand with patterns amid a sea of sewing machines ready for action.  


Source:  Facebook - Anna Winningham


Source:  Facebook - Anna Winningham

The room is alive with purposeful activity, facilitating interaction among individuals who have suffered losses along with the volunteers who want to help them heal.  

Source:  Facebook - Anna Winningham

A collage of fabric pieces may comprise the body.

Source:  Facebook - Waid Funeral Home

Sometimes a photo is employed as a guide for the design or as a comrade in spirit.

Source:  Facebook - Anna Winningham

Multiple family members may bring multiple teddy bears into existence.  

Source:  Facebook - Anna Winningham

Outfits may feature an item of clothing over the tight “skin” of the animal’s body.  

Source:  Facebook - Anna Winningham

Initiation of the endeavor at this funeral home evolved after learning of family members who had used their grandfather’s work and hunting shirts to fashion these types of teddy bears.  As gifts for Christmas, all the grandchildren had been given their own, with a directive to wrap their arms around the bear whenever they felt a need for a hug.  

The Mattson Funeral Home in Forest Lake, Minnesota, is another facility that hosts biannual memory bear workshops.  


Source: Facebook - Heartley Bears

The venture originated after the mother, grandmother, and aunt of the funeral home’s co-owner made more than twenty bears as gifts for children and grandchildren.  
Source: Facebook - USA Today Video

They were dubbed, “Heartley Bears,” to reflect the name of his grandfather, Hartley, whose favorite shirts from fishing trips and family outings were the basis for the sewn creations. 

Several hundreds of bears have been designed there since the project's inception in 2008. 




Source: Facebook - USA Today Video



Source (2): Facebook - Heartley Bears

One woman used a pair of her husband’s jeans because that was his usual garb.  She tucked in  wooden heart with a message of affection for her deceased husband.  

A mother and her three daughters attended a workshop in advance of their loved one’s imminent death.  For their bears that would become cherished mementos of their grandfather’s life, each child was allowed to select the item of clothing that would be used.  One of them, a five-year-old girl, chose her grandfather’s swim trunks.  

During the lifetime of an eighty-nine-year-old woman, she had five children who generated twenty-two grandchildren and forty-eight great-grandchildren.  Many of the females – her daughters, granddaughters, and great-granddaughters – gathered at a  workshop after her death.  Collectively, they applied a variety of personal touches to their bears.  One carried a hanky, and another had a mint in its hand… reminiscent of characteristic habits.  Since pearls had been the woman’s favorite jewelry, they were featured on another.  A granddaughter, who had at one time made a pink scarf as a gift, tied it around her bear’s neck.  

A loved one's devotion to a sport or a particular team inspires some stylistic variations.  

Source: Facebook - Heartley Bears

A single aspect of one's life history may dictate the style.

Source: Facebook - Heartley Bears

The bear construction initiative at the Mattson facility has garnered widespread interest and substantial participation.  A Facebook page specific to it relates details of the ongoing projects, along with acknowledgements of appreciation for their army of volunteers.  
Multiple photos illustrate uniquely created figures.  

Source:  funeralfund.blogspot.com


Source: Facebook - Heartley Bears


Source:  funeralfund.blogspot.com

Source: Facebook - Heartley Bears

Source: Facebook - Heartley Bears


Pictures of the finished products tell only part of the story.  A peripheral yet pivotal aspect of this activity is the sense of connection and camaraderie that is woven throughout the experience. While engaged in this purposeful mission, individuals readily relate to one another through supportive gestures.  Whether in the role of a volunteer or as someone touched recently by the sorrow of death, participants have a chance to share their sentiments and stitch strong personal threads, thereby interfacing these folks together in a tie that binds. 

Source: Facebook - USA Today Video

The popularity of memory bear projects for grieving individuals suggests that a need is being met through this type of workshop that has been established for them.  It reinforces a realization that ordinary materials readily overlooked during life can become treasures of conscious associations after a dear one has died.  
Source: Facebook - USA Today Video


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Tuesday, April 14, 2015

MAUSOLEUM MOSAIC and LABYRINTH

Journey Journal... Gotha, Florida


JOURNEYS TOWARD RESURRECTION… ONE STEP AT A TIME

Capacious mausoleums designed with nakedly exposed walls can be like blank slates that invite ingenuity.  When there is a barren expanse of significant magnitude, why ignore the possibilities?  The white, sun-drenched side of such a structure at Hollywood Forever Cemetery in Hollywood, California is transformed into a silver screen on evenings when movies are projected on it.  People bearing picnic paraphernalia and blankets repose on a spread of unadulterated turf as they watch the action under starry skies, overlooking the graves of celebrity stars buried nearby.


Bob Neel, a former funeral director and previous owner of the Woodlawn Cemetery in Gotha, Florida fostered an alternative brainstorm for capitalizing on the real estate.  In 1993 when his visionary idea came to fruition he noted, “'I wanted to make Woodlawn different from other cemeteries, as darkness is unlike light, as eternal life is different from death… 
I got this inspiration to make it different by having this magnificent piece of art where people can study the life of Christ.''

The artwork to which he referred is the Life of Christ Mosaic that festoons the side of the Mausoleum of Christian Heritage.  The colorfully bold façade with its bigger-than-life intricacies readily captures the attention of visitors as they progress toward it over a long entrance road. 


The 1,560-foot mosaic, which measures seventy-eight by twenty feet, depicts pivotal stages of Christ’s life, with twenty-three chronological scenes that begin on the left – starting with his birth and advancing to his resurrection and ascension on the right.  A central panel showcases a figure of the risen Christ.  


It is one of the largest such creations in the country, though a bigger Life of Christ version is on the wall of a mausoleum at the Covina Hills Forest Lawn Memorial Park in California.  That one is one hundred and seventy by thirty feet and has twenty-six scenes.   

For many years, before commissioning two California sisters to create the drawings for this masterpiece, Neel, a Presbyterian Church congregant, laid the conceptual foundation by reading the New Testament and identifying significant verses he considered desirable to depict. Trips to Italy, where he observed other mosaic works, contributed to his visualization.  As part of the images portraying Jesus calling the children to him within a milieu of feeding the multitudes and entering Jerusalem, the artists incorporated likenesses of his four children.  Except for replication of Leonardo da Vinci’s portrayal of the Last Supper, the scenes that materialized were original configurations.  The colored rendering of the mural required three years for the artists to complete. 

In 1989, once the artwork had been completed, mosaic specialists from Italy began the laborious crafting process, employing eleven million pieces of Venetian glass.   Preliminaries within their Italian studio included photographing the mural before making a reverse copy and enlarging it to actual size.   The amplified copy, known within the trade as a cartoon, was segmented into four hundred and three manageable pieces, simulating a giant jigsaw puzzle, and numbered for convenience of assemblage. 

Each piece of glass was then methodically glued to the cartoon prior to transporting it – along with the mosaic crafters – to Orlando for installation.  Over the course of more than a month, with the paper side out, they affixed each section to the wall using a mixture of sand, cement, and glue before peeling off the paper to expose the glass. 

The finished product, which had cost hundreds of thousands of dollars, was covered with a white veil in anticipation of a 1993 dedication ceremony that took place relevantly on 
Good Friday.  Members of seven hundred churches and burial plot owners were invited along with civic and business leaders.  To reveal it, the two thousand people in attendance pulled more than one hundred cords that brought down the veil.    

Though Robert Neel, an influential prime mover in the community, died in December, 2014, his legacy lives on through this enduring hallmark of his undertaking. Every year, an Easter sunrise service is held meaningfully in front of his massive work of art. 


There is more to this mausoleum’s attraction than the garnished wall.  Another eye-catcher, also inspired by Neel, was added to the ground in front of it.  In keeping with the spiritual theme, a labyrinth is in place as a means for bereaved individuals to confront their sorrow and find spiritual renewal. 


This round, circumscribed plane is a replica of one in the Notre Dame Cathedral in Chartres, France.  There is another at the Grace Cathedral in San Francisco.  Such patterned circuits are of ancient origin, thousands of years old, and found all around the world. 
   

The path within it twists and turns back upon itself in an elaborate circular pattern.  A journey begins by starting at the entrance and putting one foot in front of the other to follow the winding route until reaching the six-petal rosette at the center.  There, one pauses for meditation or prayer.  Then the process is reversed as steps are retraced.   


The mind is quieted when engaged in this “body prayer” or potentially transformative walking meditation.  One’s complexity of consciousness is addressed through the simple act of walking – by retreating from the chaos of life and focusing only on the discovery of self.  Described as “prayer in motion,” it offers an avenue for introspection and healing. Relaxed contemplation is inspired, possibly augmented by focusing on breathing sensations. Slowly walking along its singular path can potentially invoke calm for individuals confronting life transitions such as death. Perspectives change, as one’s body and vision are never facing in the same direction for long.  The objective is to remain open to whatever feelings may emerge. Sometimes tears are summoned, especially when the walker is feeling burdened by grief. Metaphorically meaningful, such instruments for meditative self-exploration and restitution can help individuals take steps toward moving forward in their lives, particularly if it becomes a repetitive practice.   




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